mikrokosmos // daydream (2019)

Written in June 2019, published with minor edits. Inspired by the song Mikrokosmos.

I had a dream yesterday, I was climbing up the stairs of a lighthouse. It was dark, but it wasn’t cold. I couldn’t tell at first if it was real, or just a delusion, but, still, I went all the way, up until that point where it was just the wind against my face. My eyes could see the open sea, reflecting the darkness of the star-studded night skies, waves crashing over and over the infiniteness of secrets. I turned my back on the moon, and the stars, and the lights of the lighthouse, to face my lifetime fear of the unknown, and to face you, there all along. I wish I had taken a photograph; a single frame of you, leaning over the railings, turning around to watch me, watching you and the sea. I know that night pictures can seldom capture the magic of the moment we seek to freeze, but your ghostly shape against a pitch-black scenario would be enough to tell this story.

We have always been so cheesy, waking up before the sunrise, staying up after midnight, to tell each other myths about the constellations. Before I met you, I used to reserve these moments for me, because, in real life, they are never as beautiful as in the movies. The first time I ever asked someone to come watch the sunset, I was bored by their boredness; but you asked me to count the colours of the clouds. I was confused, I could swear I would have told that myself, but you said it first. For a minute there, I thought you were just a fiction of me, outside my body. “Maybe this is the daydream”, I guessed, but maybe we just watched the same movies growing up. Life can be that funny, too, I just didn’t know it, back then.

I can’t remember every sunrise and sunset, but, everytime I look at you, it feels like I do. I suppose that’s the reason any simple picture could tell this story so well; you’ve always been there, whatever the situation, whether in the background, or taking over the whole frame. I know we don’t tell our feelings very often these days, because we’re old enough to remember all the stuff that’s been said before, but I still talk about you every day, in my mind. And, every time we come together, for a meal, or business, or just an unimportant conversation, I go back to the sunrises, and sunsets, because we’re still the same kids, but we’ve grown up a little and now we do overtime almost everyday, past 8 pm.

I daydreamed yesterday, but I didn’t realise it was just a fragment of my imagination until the night skies and the sea melted into the colours of walls, desks, and curtains. Remember how I could see the world in allegories? I still do, I just don’t talk about it anymore. I see so many realities coexisting at the same time, and sometimes I can’t even tell which one is real, and which one is just a picture in my head. Right now, I swear I can see through these brick walls, to watch the big dark sea from the top of the lighthouse, as if I could turn my back at any given time just to see how it lights the whole room, from an alternative dimension. 

Even though this town is too bright for us to see the stars, last night we agreed to watch the night skies. We met later than expected, in your own office, because it’s five floors closer to Heaven than mine. I had my bag, so that I could go straight home, but you would still have work to do, and we both know it isn’t fair, but we both do it, anyway. You pulled the curtains apart, and sat on the floor to wait—in this reality, there are no railings to see the sea, just big glass windows facing the streets. I could still take a picture, though, when you turned your head to face me, because this one tells the story, too; just a frame of your profile against those city lights, that shine much brighter than the distant stars, and piss you off enough to rant about it all night long. Remember when we used to daydream about flying in outer space, touching celestial bodies as if they were just hanging from the ceiling, a palpable reflection of Holy light? I could draw a picture of that in my head as well.

I know you’ve been too busy every day of every month of every past year since we grew up, so little did you know that I’d been watching the night skies every day on my own, since we got too old to stop to see the sunset. I’m sorry if I never called you to come, but I know that you hate how the next-door building blocks so much of our view. We lean closer to the glass, to catch a glimpse of the upper Heavens, but I spy something with my little eye. Have I told you that I still see the world in allegories? I just don’t talk about it anymore.

If you can, imagine with me that every light on across the city is like a twinkling star, like the street lights that look like constellations, when you watch the world from an airplane at night. Remember when we first stepped into each other’s worlds, the moment we crossed the point of no return? Everyday we worked hard to grow up decent, and dreaming, and I just knew you could shine so bright, even with my eyes closed. And we mean so much to each other, but there’s always a bigger world to realise, there’s always a much bigger picture that we can draw, if we zoom out just a little bit and get caught in the hundreds and thousands and millions of billions of small galaxies that we see everyday, even though we might never see them up close.

There are stars that shine bright behind every window that we see now. Sometimes, I daydream about flying in their outer space, touching their bright golden faces, seeing how they reflect Holy light, and they captivate me so deeply that I don’t even want to come down. So many windows I’ll never get to open, so many lighthouses I’ll never get to climb, but, still, I can’t help but wonder what colour their walls are painted, and how tall or short I’d look next to their railings. If they do overtime, or if they bring their work home. If they’re happy or sad, if they’re dying of hunger, or loneliness, and if I could ever do something to help. If they ever look outside their window, and wonder if someone, somewhere, is wondering too. 

Sometimes I’m amazed by how big this world is, and sometimes I’m just scared, because I’m so small. But, if you could just hold my hand now, I’d remember that, out of all the allegories in my head, this is real, we are alive, somewhere, being someone, walking down a path carved out just for us. We are one each, in 7 billion ones, but we are here, and we share this planet, and we call it home. I hope you can see right now how beautiful this is, too, but nowhere near as beautiful as you. I love our little lighthouse, but I also love this office floor, and every other place we can meet up to talk about the skies or the sunrise— even if it’s just in my head. Everytime I sat down to watch the constellations of city lights, I realised we were never watching the stars, we were watching each other. And maybe that’s the reason why this night looks so beautiful—not because of the pitch-black skies we see lurking behind the buildings, but because of you, and me, and all the people we can daydream about, even if we never ever meet.

Photo by Thong Vo on Unsplash

knock on wood

From the vault. Written in October 2022.
Based on a true story.

She had worked late and spent most of her Saturday trying to recover from the burden of doing overtime five times a week. She was highly ambitious, but very simple at heart, and content with as little as buying herself a new book, and something tasty for dinner. Even though she had never been to that particular library, making it hard to feel completely at home and familiar with the surroundings, the weather was nice and her spirits were high.

She made her way through the shelves until spotting titles about feminism. His eyes had been following her since the moment that she walked in. His poor eyesight made it difficult to see what books she was looking at, but he could take a fair guess, he supposed. There’s very little you can learn about someone from the books they look at, but most of the magic of sitting in a bookshop is the belief that you can. She looked pretty — but the world is filled with pretty girls. She also looked strong, or so he thought, and he wondered if that was because of the books he assumed she was looking at. He could see her profile and the way the tip of her nose made her eyeliner look sharper — or was it the other way round? 

He was an anxious guy with an inclination to FOBO — Fear Of The Better Option. Having wasted too much time overthinking all of his decisions, he developed the habit of outsourcing everything to the universe; instead of placing on himself the burden of thinking about anything at all, he would just write all the conceivable options on paper, and then follow the instructions of the one he picked with his eyes closed. It didn’t always seem right, but he was committed to this system. He took the small block of purple post-its inside his pockets and, staring at the tip of her nose from afar, wrote down all of the things he could do at that moment. He could go up to the girl and introduce himself, or ask about the book that she was reading, or wait by the door until she was about to leave, or wait by the cashier and join the payment line at the same time as her. He folded them neatly, to make sure he wouldn’t be able to tell them apart just by looking, and tossed them inside his pocket. 

After taking a deep breath and saying a prayer, he was ready to find out what would come next, so he closed his eyes. It was only for a second, just enough time to draw the results but, somehow, she was already gone when he opened them again. Being stared at made her very nervous. She fled the building, without the book, and went out to find a vegetarian bowl she could have for dinner. He stood up to see if he could catch her but he wasn’t sure that was the best option at the moment. Before he wrote a new set of possible pathways on his little purple post-its, she was already sitting and waiting for her order, thinking about the book she didn’t take and about the guy she didn’t speak to. On the way home, he played with the little fateful folded papers inside his pockets until the sweat and oil from his hands began to melt them away. They won’t ever see each other again.

Photo by Clay Banks on Unsplash.

ouro de tolo [um feliz aniversário]

[do fundo do baú — english version here]

Querida A.,

É seu aniversário, e eu já te conheço há quase uma estação inteira. O fim da Primavera te trouxe para mim, e eu me deixei levar por você junto com a chuva das monções. Meu humor azeda com os dias quentes e úmidos, mas eu reconheço o charme vibrante do Verão, aquilo sobre o que falam os poetas, quando escrevem sobre ser jovem e estar apaixonado.

Mas nós dois não somos exatamente jovens, né? E graças a Deus, porque tem graça mesmo. Não vivemos o bastante ainda pra dizer que somos velhos, mas já vivemos o suficiente para navegar com alguma habilidade as coisas que nos agonizavam quando éramos inocentes. Crescer é jogar dados com o tempo, perder-se um pouco tentando descobrir como é possível que às vezes ele voe, e que às vezes ele se arraste, sempre contrário às nossas vontades, ao que sentimos no momento em que tomamos consciência de que ele está passando. Será que é possível superar o drama e o estranhamento de se descobrir existindo, existente?

Talvez o problema seja que nossa imaginação da vida foi moldada pela narratividade dos filmes, de como a vida deveria ser. Queda, crise, paixão, desespero, fome, tudo sempre parece mais interessante pela lente cinematográfica, onde os corações, aspirações e expectativas só se quebram enquanto a história está sendo contada. Talvez tenha algo a ver com a possibilidade de pular partes, ou desligar a TV quando se quer. Mas, por mais que eu odeie viver com o desconforto de passar pelas coisas que soam melhores na minha imaginação, ou nos textos que eu escreveria a respeito, meu senso de encantamento com a vida me faz flutuar um pouquinho toda vez em que penso demais sobre todas as improbabilidades que trabalham juntas para tecer a realidade, do jeito que ela é.

Sentimentos, tão efêmeros, tão fugazes, tem uma beleza singular, na forma como nascem e florescem. Eu poderia escrever centenas de textos para tentar organizar meu pensamentos, e descobrir o que exatamente faz com que eu queira conversar com você todos os dias, desde a primeira vez em que conversei com você. Talvez porque seja seu aniversário, e eu queira muito que você saiba como me faz feliz pensar em você, e todas as coisas pequenas que nós fazemos juntos, e nossas conversas meio estúpidas, as voltas que damos em torno de milhares de assuntos diferentes, sem propósito ou destino, só porque é tão bom ter algo para dizer, e ter alguém que queira escutar.

Eu tenho certeza que existe beleza e glória nos menores grãos de poeira, mas também estou convencido de que existe algo de mais valioso escondido nas partes desconhecidas, nas profundezas inexploradas, nos lugares para onde vão as coisas que nosso corpo, mente e coração não conseguem compreender. Quero encontrar esses tesouros com você. É um clichê falar da alegria das coisas pequenas, mas acho que essa é a esperança que me mantém seguindo em frente, que me mantém sensível à todas as menores coisas que vem ao meu encontro, oscilando entre altos e baixos apenas para ter certeza de que já passei por todos os limites de mim mesmo. É cansativo, mas é esse movimento que nos fez quem somos; eu sou várias coisas, algumas são melhores que outras, mas todas se reúnem aqui hoje para tentar te dizer que eu me importo imensamente com você, e sou muito grato por todas as improbabilidades que tecem a realidade, e teceram eu e você aqui hoje. 

Talvez seja muita sorte, talvez seja destino. Talvez Annie Ernaux estivesse certa, e é uma forma de luxo, viver uma paixão por outra pessoa. Talvez um dia nós descobriremos que foi um erro enorme, que não conseguimos prever. Dizem que são necessárias pelo menos quatro estações para começar a conhecer uma pessoa; esse Verão vai passar em breve, assim como todos os Verões que vieram antes, e vai chegar o tempo de que as folhas caiam novamente. Mas, agora, o Sol continua queimando, e nossa pele dourada está mais brilhante do que nunca. Você não sorri com frequência, mas gosto como você é capaz de iluminar o ambiente quando o faz. Gosto de queimar e reluzir ao Sol com você. Talvez seja um ouro de tolo, mas é um tesouro só nosso.

Desejo que você seja feliz por muito tempo. E que seja feliz comigo.

Feliz aniversário para você. 

J.

O que eu vi dos assentos baratos

     Nós não tínhamos dinheiro pros assentos mais caros da casa. Mas faz parte. O salão não é feito só da primeira fila, nem da segunda, nem da terceira. Nem da vigésima. Nem da quinquagésima-terceira, onde nos instalamos. Sentamos os dois em bancos de fundo, de canto, perto do papel de parede rasgado e dos braços de poltrona quebrados, onde casais se amavam e se amassavam (nós, não).     

     Não dava pra dizer se os atores tinham nariz grande ou queixo quadrado, nem de óculos. O som das suas vozes ecoava agradavelmente por todos os lados, mas os sons do fundo se misturavam. Perto da rua, eu conseguia ouvir o ir e vir de carros, me lembrando que a vida não parava. Ouvia ao longe as vozes de fora, e os sussurros das vozes de perto, com tédio demais, ou empolgadas demais. Quem havia estado ali uma dezena de vezes recitava as falas sem soltar grandes sons, mas, dos assentos baratos, eu via o vulto de seus lábios se movendo.      

     Vimos duas baratinhas que se moviam incessantemente pelo teto, tão perto de nós, e cruzavam com uma fila de formigas pretas. Tinha chiclete no cabelo de alguém cinco fileiras depois de nós. Som de gente passando com pipoca. Um lanterninha passou metade do tempo parado no nosso campo de visão, cobrindo metade da cena. Brincamos de adivinhar o que acontecia atrás. Ele estava muito longe para que pedíssemos licença.     

     Alguém quase na frente filmava tudo discretamente, escondendo a câmera no ombro dos outros. A menina ao nosso lado atendeu o telefone cerca de cinco vezes antes do primeiro intervalo. Outro lanterninha, parado atrás de nós, fungava a cada dois minutos, espirrava a cada quatro. As duas baratinhas viraram três, depois quatro, depois três novamente. A distorção de escala era tanta que eram quase maiores que as atrizes no palco. E elas se misturavam com as cenas numa tragédia kafkiana, e que só existia no nosso ponto de vista. Uma história feita nos assentos mais baratos da casa.     

     As luzes se acenderam. Quem sentou na frente assistiu com detalhes a peça inteira. Nós assistimos tudo e todos. Valeu cada um dos dois mil centavos.

“Wicked” em Londres, 2016.

Featured Image by Mika Baumeister on Unsplash